Monday, 1/6/14
HW: Read the next 15-30 pages of Harold and Maude http://www.dailyscript.com/scripts/Harold-and-Maude.htm
Aim: Studying Character driven films through Harold and Maude
Daily Spark: What is one change you’ve seen in Harold so far?
As we watch, look for the second turning point. Continue to take note of what we learn about each character and how we learn it.
Discuss-
Questions to consider:
1. What about Maude allowed Harold to change?
2. Is Harold’s change permanent?
3. Why does the film end the way it does?
4. What is the theme?
(What the film says about a topic)
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Wednesday, 1/8/13
Aim: Using Harold and Maude to think about character development
Daily Spark: We’ve said that every scene must move the plot forward. What does this mean to you?
Every scene should be, in some way, set up by the previous scene, and should move the story forward for both the plot and the development of the characters. This will in turn set up the next scene, until your screenplay reaches its climax. It’s a cause and effect relationship as you draw your audience in until they become hooked. You should be reviewing as you write.
Ask yourself:
- What is the payoff of a particular scene?
- Do I need this scene in my screenplay?
- What is the purpose of this scene?
- Does it reveals something new about the character and/or the plot? Does the audience want to know what will happen next?
- What happens in your scene that makes the audience want to keep watching?
If the answer to any of these questions is “I don’t know” or “NO,” remove the scene.
They pay off could be a revelation, a decision by one of your characters, or even a cliffhanger. Dramatic tension keeps the viewer involved. Plot twists are what keep things interesting; try to keep the audience somewhat off balance, because that’s what will keep them engaged. Your story shouldn’t just start, trundle along, and end exactly the way your audience expects it to.
The end of the each should have a finish that leaves things open to be resolved in the next scene, building towards the climax.
Let’s see an example:
Harold and Maude at the Amusement Park
Script
What’s different? Why were these things edited out, do you think?
Now it’s your turn – create a scene that ADDS to the story – or begins the sequal…
Using your knowledge of the characters Harold, his mother, and Maude…
Write a scene…
1. Scene after the ending scene
2. The following day
3. The following year
4. 5 years from the end
5. 10 years from now
Do this on loose leaf, trying as best as you can to create standardized screenplay format.
Friday, 1/10/14
Aim: Understanding moving the plot forward and theme through Harold and Maude
HW: Bring in a fable/fairy tale that you like or know well. Re-read it before you bring it in.
Daily Spark: Did Harold and Maude have to end the way it did? Why or why not?
Share out scripts – one from every time period:
Using your knowledge of the characters Harold, his mother, and Maude…
Write a scene…
1. Scene after the ending scene
2. The following day
3. The following year
4. 5 years from the end
5. 10 years from now
Do these work? Not?
What is the theme of Harold and Maude? How do you know?
What is theme?
The subject of a talk, a piece of writing, a person’s thoughts, or an exhibition; a topic; an idea that recurs in or pervades a work of art literature or film.
What words come to mind when we think of the film Harold and Maude?
What does the film say about this?